But when I walk into the studio to create art, there is a process (and steps to follow) to reach the result I desire. First, there’s the idea, which I turn into a manuscript. Next, I craft a book dummy book comprised of text and sketches.Guest Blogger: Denise Fleming
But when I walk into the studio to create art, there is a process (and steps to follow) to reach the result I desire. First, there’s the idea, which I turn into a manuscript. Next, I craft a book dummy book comprised of text and sketches.
It’s difficult, even for adults, to wrap one’s head around the fact that the elephant can weigh 22,000 pounds. So I included a simple infographic, a small silhouette of each animal, alongside another of an adult human (or a human hand, if the animal was small).
One of my favorite words is solipsistic: close your eyes and the world vanishes —there’s no reality outside of your own. We all start out thinking this way. I was in second grade before it hit me that there had been people on this planet before I got here. Abraham Lincoln and Joan of Arc weren’t just famous names you read about in books.
We didn’t all know each other on day one, but writing was the glue that made our friendship stick. We wrote quietly, set aside some critique time, and ended each day on the deck, wrapped in blankets and watching the sun set over Semiahmoo Bay.
Writing books is a very mysterious thing. At least it is for me. I’ve always enjoyed writing, maybe just as much as I’ve enjoyed drawing, but drawings are easier to gauge. When you create a drawing you like, you can look at it and immediately see the reasons why, and you can show it to other people and they can point to things that they like about it, too.
After creating three nonfiction books—Diego Rivera (2011), Separate Is Never Equal (2014), and Funny Bones (2015, all Abrams)—my editor and I both thought a fiction project might be interesting. We brainstormed and a suggestion that bubbled up was to take a well-known story, such as a fairy tale, and give it a twist.