Writing books is a very mysterious thing. At least it is for me. I’ve always enjoyed writing, maybe just as much as I’ve enjoyed drawing, but drawings are easier to gauge. When you create a drawing you like, you can look at it and immediately see the reasons why, and you can show it to other people and they can point to things that they like about it, too.
My work often asks, “What is a book?” First came the interactive Press Here, which was radical in its simplicity. For Mix It Up!, I painted with my bare hands—a “no-illustration” illustration. Let’s Play! (2016; all Chronicle) is the return to expressing something with drawing, composition, proportion, and feelings.
When a manuscript comes across my art table there’s always a little bit of terror attached to it. What’s the author trying to relate? How should I approach it? How would a parent, a librarian, and, most important, a child look at my paintings? If, as an artist, I can’t quell some of these questions, they’ll derail the creative process.
One day I vacuumed a fly—by accident! After realizing what had happened, I wondered what the bug was thinking. Did it know it had been vacuumed? Was it upset? Or was it just buzzing around inside the machine, without a care in the world? This is how the idea for Bug in a Vacuum (Tundra Books, 2015) was born.
Look and Be Grateful (Holiday House 2015) is the most unusual project I’ve ever worked on in my 50 years as a children’s book illustrator/author.
Usually, a book starts with an idea that I’ll turn over and over in my head, sometimes letting it pop-up when it wants to, other times, sitting down and forcing myself to get right to it, jotting down notes, maybe making a quick sketch or two–nothing serious, nothing finished, just doodling with words and images.
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Win a free copy of Vincent Paints His House…