I am deeply moved by the fact that we are nature, that we are stardust and I wanted my new book, You Are Stardust (Owlkids, 2012), to have a lyrical, celebratory, and poetic feel. Yet, finding that voice was difficult.
Kids are forever asking me where I get my ideas. Usually I say, “I steal them.” This is true but incomplete, and today—right here, right now—I’m going to give the genuine answer. The eighth book in the “Ivy and Bean” series, Ivy and Bean: No News Is Good News (Chronicle Books, 2011), is about money and cheese. And wax. And journalism. Also, ethical business practices, the right to privacy, value, the economics of scarcity, and did I mention cheese? How do all these things end up in a book together? Where did they come from and how did I turn them into an “Ivy and Bean” story? Let me tell you ...
It has been both fun and challenging to tell the Spaceheadz story across media. Print is a controlled, linear form of storytelling. As the author, I control the pace of the story by its position on the page. In contrast, digital storytelling is a whole different form; different parts of the story can be accessed at different times and in different ways.
TeachingBooks.net is delighted to welcome award-winning author Janet Wong as our featured guest blogger.
Each month, we ask one distinguished author or illustrator to write an original post that reveals insights about their process and craft. Enjoy!
Janet Wong on…
Usually, it’s the character I think of first. I never see that character’s face—even when I’ve written for months and the book is finished. Rather, it’s almost as if the character is whispering in my ear, saying, “Hey, this is what I need. This is what I want.”
I happen to share my day of birth with a very tragic shipwreck. During the early hours on April 15th, 1912 the RMS Titanic sank into icy waters.
I recently spoke with Don Brown, author of the nonfiction book All …
When I was a child I resented the stories I read about the ugly mean older sisters. Why did the youngest have to be the kind beautiful one? And why did the eldest always seem to possess the worst flaws? I remember thinking, if I were a writer, I'd never bow down to that storytelling tradition. I'd write a story about the gorgeous gentle-spirited oldest daughter with the two dreadful younger sisters. If you haven't already figured it out, I'm a first born.
