A new book or project always starts with an idea. My participation in I.C. Springman’s More (Houghton, 2012) actually began in 1995 with an idea I had for a story about a crow that collects too much stuff, builds multiple nests in a tree, and ultimately feels worn down by the sheer number of objects he has to curate. But the tale was way too long and hopelessly preachy. I don’t like message-forward books, and although I had a suite of sketches I was eager to turn into finished paintings, I never got around to submitting them. Over the years I went back, searching for a better way to tell the story, but I couldn’t find a way in.Guest Blogger: Brian Lies
A new book or project always starts with an idea. My participation in I.C. Springman’s More (Houghton, 2012) actually began in 1995 with an idea I had for a story about a crow that collects too much stuff, builds multiple nests in a tree, and ultimately feels worn down by the sheer number of objects he has to curate. But the tale was way too long and hopelessly preachy. I don’t like message-forward books, and although I had a suite of sketches I was eager to turn into finished paintings, I never got around to submitting them. Over the years I went back, searching for a better way to tell the story, but I couldn’t find a way in.
First: If anyone tells you that writing is easy, you have my permission to remind him or her that if writing were that easy, everyone would be doing it. What I do (almost) every day is play with words. I love it, couldn’t live without it. But the “playing” part is a bit of a misnomer. Wordplay demands a comfortable chair, lots of coffee, and seven carts of patience pulled by tireless oxen.
By now I’ve written a number of books and have enough distance from them, to see patterns emerge. Looking back, I’ve realized that so many of the children (or mice or other animals) who populate my work use imagination—as play, as an escape, as a tool.
I have been asked quite often how Stella and Sam became TV stars. What was my role in their transformation? How did I participate in this transformation? Am I happy with the results?
Dave the Potter: Artist, Poet, Slave (Little, Brown, 2010) is based on the true story of Dave, a man born into slavery in 1800 who created approximately 40,000 ceramic pots in his lifetime. Dave was owned by six slave masters, but was ultimately sold to a plantation that produced large clay pots. It was on this plantation that Dave was trained to make pottery and became a master potter.
I admit I gave a little sigh of relief when I saw that my publisher classified my book Ling & Ting (Little Brown, 2010) as an early reader. So many times titles for this level are referred to as easy readers. I know I am biased, but to me there is nothing easy about a successful book for beginning readers!