In an effort to build awareness about the remarkable books written for children and teens across the globe,every two years the International Board on Books for Young People (IBBY) selects one author and one illustrator as the winners of the Hans Christian Andersen Award. This recognition is considered by many to be the world’s most prestigious in children’s publishing. Maurice Sendak, for example, is the only illustrator from the United States to ever win this award.Global Connections to Authors & Books with the Hans Christian Andersen Award
In an effort to build awareness about the remarkable books written for children and teens across the globe,every two years the International Board on Books for Young People (IBBY) selects one author and one illustrator as the winners of the Hans Christian Andersen Award. This recognition is considered by many to be the world’s most prestigious in children’s publishing. Maurice Sendak, for example, is the only illustrator from the United States to ever win this award.
The seed for my newest young adult novel, This Thing Called the Future (Cinco Puntos, 2011), was planted five years ago when I was studying the Zulu language at a university in Pietermaritzburg, South Africa. The Zulu family I stayed with had two young teenage girls—thirteen and fourteen—who were incredibly hard-working girls and always respectful of their elders. Yet the thirteen year old got in trouble while I was there because she was caught kissing her boyfriend at church. Her boyfriend was a man in his thirties.
TeachingBooks.net is bringing summer reading 2011 to life. Whether you're promoting the program theme of One World, Many Stories, You are Here,Splash! Celebrate Summer, or another topic, the authors and illustrators presented in this month's column are bound to be on your list. From audio to video recordings, TeachingBooks.net has something for you.
Growing up in Mexico, I learned to speak the language of color at a very early age. “No dar color” is a popular expression that, translated, means an inability to give off color or emotion. Using color and texture helps me to express my identity, my heritage. I've also learned that color is the most direct (emotional) route to the children (and families) who turn the pages of the books I’ve illustrated.
Many of us have come to the field of education because of our own love of learning. But with all the daily demands on our time, it can be difficult to manage our teaching responsibilities and feed our professional passions.
Recently I've been watching and listening to elementary school students as they engage with nonfiction. The range of topics that excite them is extraordinary and their conversations about their reading remind me how powerful a stimulus books can be to exploration and critical thinking.