Writing books is a very mysterious thing. At least it is for me. I’ve always enjoyed writing, maybe just as much as I’ve enjoyed drawing, but drawings are easier to gauge. When you create a drawing you like, you can look at it and immediately see the reasons why, and you can show it to […]
Each month, we ask one distinguished author or illustrator to write an original post that reveals insights about their process and craft.
After creating three nonfiction books—Diego Rivera (2011), Separate Is Never Equal (2014), and Funny Bones (2015, all Abrams)—my editor and I both thought a fiction project might be interesting. We brainstormed and a suggestion that bubbled up was to take a well-known story, such as a fairy tale, and give it a twist.
I want my readers to see that they can be all kinds of people and that they aren’t limited to a version of themselves that someone else decided for them. They can be the popular girl, the smart girl, the mean girl, or the screw-up. “Asian American girl” doesn’t denote any one type of person.
I thought a lot about the impact of violence as I wrote Burn Baby Burn (Candlewick 2016). My protagonist Nora Lopez would have seen a lot that year, both inside her own family and in situations all around her.
My family listened to music in the morning as we prepared for the day, and at night as we cleaned the dinner dishes. I grew up on a steady diet of the R&B and soul music of the Jackson 5, Bobby Womack, and James Brown. Of Soul Train Saturday mornings and church service choir stands […]
It’s helpful for me to think of a novel as a living creature. (I’m a writer—everything is a metaphor!) The heart of my novel is its theme; the steady beat of life at its core. Its blood, coursing life through every page, is its language, or voice. Its skeleton is the narrative structure; the plot, […]
My work often asks, “What is a book?” First came the interactive Press Here, which was radical in its simplicity. For Mix It Up!, I painted with my bare hands—a “no-illustration” illustration. Let’s Play! (2016; all Chronicle) is the return to expressing something with drawing, composition, proportion, and feelings.
When a manuscript comes across my art table there’s always a little bit of terror attached to it. What’s the author trying to relate? How should I approach it? How would a parent, a librarian, and, most important, a child look at my paintings? If, as an artist, I can’t quell some of these questions, […]
Blistery red rashes and hallucinations, lethal germs in food, flea bites that kill— these are all subjects that have captured my attention, and I hope will grab readers’ attention, too. Intriguing medical stories speak to my background in zoology, an interest in history, and experience teaching middle school science. As an author, I get to […]
The Trouble in Me (Farrar 2015) is, in part, an answer to the question “How does one go bad?” It’s something I’ve been asked often since the publication of Hole in My Life (Farrar 2002), which features my drug smuggling and life in prison.