Stones for my Father is a book I had been meaning to write for a long time. My mother’s family is South African and I have always wanted to explore that part of my history. I was also interested in the Anglo-Boer War. To me, it is one of the most fascinating and overlooked conflicts of the twentieth century. Blog Tour: Trilby Kent
Stones for my Father is a book I had been meaning to write for a long time. My mother’s family is South African and I have always wanted to explore that part of my history. I was also interested in the Anglo-Boer War. To me, it is one of the most fascinating and overlooked conflicts of the twentieth century. 
By now I’ve written a number of books and have enough distance from them, to see patterns emerge. Looking back, I’ve realized that so many of the children (or mice or other animals) who populate my work use imagination—as play, as an escape, as a tool.
I have been asked quite often how Stella and Sam became TV stars. What was my role in their transformation? How did I participate in this transformation? Am I happy with the results?
At the end of last year, the UK media reported the pretty disturbing fact: nine percent of British children are leaving primary school with the reading skills of a seven-year-old. As it happens, I’ve met seven-year-olds who are well into the novels of J. K. Rowling, Roald Dahl, and even J. R. R. Tolkien, but the media was talking about thirteen-year-olds—and boys are the worst offenders, naturally—who can’t struggle their way through much more than a tabloid newspaper.
Dave the Potter: Artist, Poet, Slave (Little, Brown, 2010) is based on the true story of Dave, a man born into slavery in 1800 who created approximately 40,000 ceramic pots in his lifetime. Dave was owned by six slave masters, but was ultimately sold to a plantation that produced large clay pots. It was on this plantation that Dave was trained to make pottery and became a master potter.