Designing the cover is my final step in creating a picture book. It’s only after spending so much time in the interior of the book—realizing the characters and their world—that I can stand back and consider what one picture would best sum up the experience of the story.Guest Blogger: David Wiesner
Designing the cover is my final step in creating a picture book. It’s only after spending so much time in the interior of the book—realizing the characters and their world—that I can stand back and consider what one picture would best sum up the experience of the story.
Usually, it’s the character I think of first. I never see that character’s face—even when I’ve written for months and the book is finished. Rather, it’s almost as if the character is whispering in my ear, saying, “Hey, this is what I need. This is what I want.”
The incredible thing about comics, to me, is the medium’s diversity. Some people hear the word “comics” and are reminded of newsprint pages filled with superheroes. Others see shelves of manga stacked tight, while some readers are more familiar with hardbound graphic novels and nonfiction volumes. All of these formats and types of books rightly describe comics.
The question I'm most often asked by kids is, "Where do your ideas come from?" I always give a concrete answer, like "Someone suggested that to me" or "It happened in my childhood." And while those answers are true for some of what I write, many of my ideas come from somewhere else. But it's hard to put my finger on just where that somewhere else is.
I always groan when people ask about my writing process, because what they are really asking is the more complicated question, “How does your mind work?” Even the word “process” confounds me. It implies a tidy, shrink-wrapped procedure. I wish it was that way–a specific set of steps to get me from that awful first draft to a polished manuscript, which is often thirty rewrites down the line. For me, writing isn’t precise. It is a messy evolution.