It was a challenge coming up with a title and a cover image for the fifth and final book in the “Diary of a Wimpy Kid” (Abrams) series. I always planned to call this book Rowley’s Revenge, so I sketched what I thought might make a good cover.
Designing the cover is my final step in creating a picture book. It’s only after spending so much time in the interior of the book—realizing the characters and their world—that I can stand back and consider what one picture would best sum up the experience of the story.
Usually, it’s the character I think of first. I never see that character’s face—even when I’ve written for months and the book is finished. Rather, it’s almost as if the character is whispering in my ear, saying, “Hey, this is what I need. This is what I want.”
The incredible thing about comics, to me, is the medium’s diversity. Some people hear the word “comics” and are reminded of newsprint pages filled with superheroes. Others see shelves of manga stacked tight, while some readers are more familiar with hardbound graphic novels and nonfiction volumes. All of these formats and types of books rightly describe comics.
The question I'm most often asked by kids is, "Where do your ideas come from?" I always give a concrete answer, like "Someone suggested that to me" or "It happened in my childhood." And while those answers are true for some of what I write, many of my ideas come from somewhere else. But it's hard to put my finger on just where that somewhere else is.
Comics editor Françoise Mouly has worked for her entire career to combine visual literacy with enjoyable narratives. From her work as the Art Director of The New Yorker to collaborating with Art Spiegelman and other professional cartoonists, Mouly has gained…