A new book or project always starts with an idea. My participation in I.C. Springman’s More (Houghton, 2012) actually began in 1995 with an idea I had for a story about a crow that collects too much stuff, builds multiple nests in a tree, and ultimately feels worn down by the sheer number of objects he has to curate. But the tale was way too long and hopelessly preachy. I don’t like message-forward books, and although I had a suite of sketches I was eager to turn into finished paintings, I never got around to submitting them. Over the years I went back, searching for a better way to tell the story, but I couldn’t find a way in.Guest Blogger: Brian Lies
A new book or project always starts with an idea. My participation in I.C. Springman’s More (Houghton, 2012) actually began in 1995 with an idea I had for a story about a crow that collects too much stuff, builds multiple nests in a tree, and ultimately feels worn down by the sheer number of objects he has to curate. But the tale was way too long and hopelessly preachy. I don’t like message-forward books, and although I had a suite of sketches I was eager to turn into finished paintings, I never got around to submitting them. Over the years I went back, searching for a better way to tell the story, but I couldn’t find a way in.
Authors are used to pretty standard questions during interviews, but I thought this one was fascinating: What did you struggle with during the writing of The Galahad Legacy?