I was describing my research and note-taking process during a recent school visit, when a boy raised his hand and said, “Sounds like you do homework for a living.”
Each month we learn of special, free, and enjoyable opportunities for you that we feel support the mission of TeachingBooks. This month, we hope you enjoy learning about the following opportunities (in order of deadline) ...
I love doing research when I’m working on a novel, and not just because it’s a great way to procrastinate. Research can be as vital to a work of fiction as it is to nonfiction. It fleshes out your backstory. It helps you make serendipitous connections. It lets you know–truly know–your characters and setting.
Each month we learn of special, free, and enjoyable opportunities for you that we feel support the mission of TeachingBooks. This month, we hope you enjoy learning about the following opportunities (in order of deadline) ...
Forty years ago, when I was a young writer, and enjoying some success with my first novel, La Guerre, Yes Sir! (Éditions du jour, 1968), I was invited to write a story for the Canadian Broadcasting Corporation (CBC). I wanted to write about the moment that I felt, for the very first time, that I was my own person—not my mother’s son, not my father’s son—but me, petit Roch.