Historical fiction is a complex genre. It can strive to be as absolutely accurate as the writer can make it (as I attempted in Crispin: Cross of Lead) or it may go no further than to create a general sense of time and place (as in Midnight Magic). The work that is merely dressed up in a general sense of time and place is rather like a musical comedy. There is nothing inherently wrong with this approach, and in fact there are some real advantages. The primary advantage is that one can deal with very modern ideas and simply place them where one can have the most fun.Guest Blogger: Author Avi
Historical fiction is a complex genre. It can strive to be as absolutely accurate as the writer can make it (as I attempted in Crispin: Cross of Lead) or it may go no further than to create a general sense of time and place (as in Midnight Magic). The work that is merely dressed up in a general sense of time and place is rather like a musical comedy. There is nothing inherently wrong with this approach, and in fact there are some real advantages. The primary advantage is that one can deal with very modern ideas and simply place them where one can have the most fun.
I went to Ghana several years ago and was overwhelmed by the beauty of the land and people, as well as the history of the place that hovered just out of reach. When I visited the slave castles, where millions of Africans were housed like cattle before being shipped as cargo and sold as slaves, I felt their spirits crying out to me. Crawling on my hands and knees through the Door of No Return, which led from the darkness of the prison to the incomprehensible vastness of a beach, I knew I must tell the story of someone who had passed that way.
While the pressures in education today are very real, the joy, passion, and commitment that teachers bring to the profession can assist them when the challenges are great. This month’s column highlights online resources that are sure to bring a little levity to the classroom and elicit a few smiles and laughs.
Forty years ago, two librarians and a publisher at the American Library Association conference lamented that no African-American author or illustrator had yet been honored with a Newbery or Caldecott medal. In response to that conversation, they decided to establish an award that would acknowledge the achievements of African-American writers and artists in the field of children’s literature.