One day I vacuumed a fly—by accident! After realizing what had happened, I wondered what the bug was thinking. Did it know it had been vacuumed? Was it upset? Or was it just buzzing around inside the machine, without a care in the world? This is how the idea for Bug in a Vacuum (Tundra Books, 2015) was born.Guest Blogger: Mélanie Watt
One day I vacuumed a fly—by accident! After realizing what had happened, I wondered what the bug was thinking. Did it know it had been vacuumed? Was it upset? Or was it just buzzing around inside the machine, without a care in the world? This is how the idea for Bug in a Vacuum (Tundra Books, 2015) was born.
I like to say that I began writing before I knew how to write. By that I mean that I made up stories, acting them out with my dolls and stuffed animals, turning them into plays to perform with my neighborhood friends, or dictating them to my father, who would then type them out on the manual typewriter his father gave him when he was a young man. Writing, in my head and on paper, was my way of making sense of the world and my place in it.
I love doing research when I’m working on a novel, and not just because it’s a great way to procrastinate. Research can be as vital to a work of fiction as it is to nonfiction. It fleshes out your backstory. It helps you make serendipitous connections. It lets you know–truly know–your characters and setting.
In this post, Sharon Creech considers her inspirations for her latest middle-grade novel, The Great Unexpected (Harper 2012), described in School Library Journal as “part realistic fiction, part mystery, and part ghost story.” Enjoy!
Snakes are tricky creatures, both to photograph and to handle. Their long thin bodies and surface-hugging habits don't necessarily create the best photographic compositions, and their nervous natures don’t permit easy interaction, especially with those of us carrying cameras.