Each month we learn of special, free, and enjoyable opportunities for you that we feel support the mission of TeachingBooks. This month, we hope you enjoy learning about the following opportunities (in order of deadline) ...
I love doing research when I’m working on a novel, and not just because it’s a great way to procrastinate. Research can be as vital to a work of fiction as it is to nonfiction. It fleshes out your backstory. It helps you make serendipitous connections. It lets you know–truly know–your characters and setting.
Each month we learn of special, free, and enjoyable opportunities for you that we feel support the mission of TeachingBooks. This month, we hope you enjoy learning about the following opportunities (in order of deadline) ...
Forty years ago, when I was a young writer, and enjoying some success with my first novel, La Guerre, Yes Sir! (Éditions du jour, 1968), I was invited to write a story for the Canadian Broadcasting Corporation (CBC). I wanted to write about the moment that I felt, for the very first time, that I was my own person—not my mother’s son, not my father’s son—but me, petit Roch.
Each month we learn of special, free, and enjoyable opportunities for you that we feel support the mission of TeachingBooks. This month, we hope you enjoy learning about the following opportunities (in order of deadline) ...
My first young adult novel, Cadillac Chronicles (Cinco Puntos Press, 2012) tells the story of sixteen-year-old Alex Riley and an ornery old man speeding south in a Cadillac. Alex wants two things: to find his father and a girlfriend with a decent set of breasts. Lester, an old man with an old man’s personality, just wants his freedom. On their wild ride, they both discover what it means to—finally—find a real friend.